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All Systems Red (Dramatized Adaptation)
- The Murderbot Diaries, Book 1
- Narrated by: Alejandro Ruiz, Bradley Foster Smith, Holly Adams, Michael John Casey, Zeke Alton, Rayner Gabriel, Natalie Van Sistine, David Cui Cui, Khaya Fraites, Aure Nash, Megan Dorminy
- Length: 2 hrs and 33 mins
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Publisher's summary
A murderous android discovers itself in All Systems Red, a tense science fiction adventure by Martha Wells that interrogates the roots of consciousness through Artificial Intelligence.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
Performed by David Cui Cui, Khaya Fraites, Zeke Alton, Alejandro Ruiz, Aure Nash, Bradley Foster Smith, Holly Adams, Megan Dorminy, Natalie Van Sistine, Michael John Casey, Rayner Gabriel, Shanta Parasuraman, Tanja Milojevic and Wyn Delano.
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Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.
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Volcanic Lairs, Death Rays & Cats… Oh My! 😼
- By C. White on 09-19-23
By: John Scalzi
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Point Nemo
- By: Jeremy Robinson
- Narrated by: R.C. Bray
- Length: 9 hrs and 31 mins
- Unabridged
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In the heart of the South Pacific lies Point Nemo, the most desolate and remote place on Earth. At its core is a dead zone, devoid of life, where government agencies crash their obsolete satellites and space stations, confident they won't harm a soul. When the International Space Station suffers a catastrophic failure and plummets through the atmosphere, it's here that Mission Specialist Julie Rohr, an astrobiologist studying living space dust called xylem, finds herself marooned. Julie's only hope for rescue lies in the hands of her estranged father, Dr. Finn Maddern, a renowned mycologist.
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Totally original-totally feasible!
- By Lawrence Tate on 04-10-24
By: Jeremy Robinson
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Civilization has fallen. The solar system is blanketed with the automated weapons of ancient wars, engineered plagues, hazardous waste, rogue AI, monsters from outside our dimension, artificial disasters, and nuclear climate change. Every moment of life on Earth is a brutal fight for survival. The people of Sol carry on, but hope is at a premium. They need something more. Someone with a plan, a savior, a hero. What they get is Lily.
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When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food-delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization”. Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on. What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, dinosaur-like creatures named Kaiju roam a warm and human-free world.
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I'm listening with a permanent smile on my face
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What listeners say about All Systems Red (Dramatized Adaptation)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Patricia
- 09-13-23
Competent performances, hard to tell voices apart
I adore The Murderbot Diaries and have listened to the audiobooks more than a dozen times. I've also enjoyed Graphic Audio's adaptations of Ilona Andrews' books, so I was excited to see how they would interpret this series. The sound effects and music were great and the performances were perfectly fine, but unfortunately the voices for the women of PresAux were too similar for me and I absolutely could not tell them apart during group scenes when there weren't tags to indicate who was speaking. I know the GA team often remove dialogue tags in their adaptations, which has been fine in the other dramatizations I've listened to because the voices were distinct enough, but if they're going to keep the VAs for the rest of this series, I am begging y'all to keep or even add more dialogue tags, because it was too confusing. Just from discussion with other Murderbot fans who've listened to the GA adaptation, we all had the same issue with differentiating the voices.
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1 person found this helpful
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- Dr. M
- 01-26-24
Very fun story!
I wasn’t sure what to expect when I downloaded this, but I was very pleasantly surprised.
The presentation format works well and the story is very engaging.
I’m looking forward to listening to the additional stories in the series. 
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- Lucy A. Pithecus
- 10-05-23
Mismatch of story & casts
The story is excellent, I love the dramatized effects (the clings and clangs). and the narrators are established performers, but this production is a mismatch.
First, this version is too fast. The original audiobook is 3 hours 17 minutes, and the dramatized version is 2 hours 30 minutes (the last few minutes in this version is a sample of another book). Just because the story is fast-paced, it doesn't mean the reading needs to be rapid. The book sounds to me like the narrators want to finish reading the book quickly and finish it. A more leisurely narration helps the readers to enjoy the story and the special effects. The people can talk fast, but the narration needs to be stable and clear.
Second, the narrator for Murderbot reads everything in a monotone - the story narration, the actions, the inter-thoughts, and the dialogues - everything sounds more or less the same. This technique could be good for non-fiction, but what's the point of dramatizing a book if the narration is flat?
Third, the voices of some characters sound out of character. For example, the voice of Dr. Mensha, who is an established middle-aged woman and a fearless leader, sounds too young. Yes, in real life, someone in her shoes could technically sound like that, but in an audiobook, we, the readers, want the character to sound like what we expect him/her/them to be unless there is a good reason for otherwise. Also, I (and my friend, who has only read the books and not listened to the audio versions) think Murderbot's voice should be lower. I do like the casts for Ratthi and Gurathin - they fit the personalities.
If you are new to the story and intrigued by the story, please listen to the original version narrated by Kevin R. Free. If you are a fan and curious, try this at your own risk. (I know about the risk, but I still can't resist.)
If you are looking for outstanding dramatized audiobooks, check out: "Good Omens - A Full Cast Production" by Neil Gaiman & Terry Pratchett, and narrated by the main actors in the TV show; "The Graveyard Book: Full-Cast Production" by Neil Gaiman; or "The Sandman" by Neil Gaiman, all three books, which are straight-out full cast books, not dramatized version of audiobooks, but the best dramatized audiobook ever.
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11 people found this helpful
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- Marlene Morris
- 05-10-24
Love the story, not the performance
I love The Murderbot Diaries, and have read them several times so I decided to try the audio versions for my work commute. The audio version of Network Effect was pretty good so I decided to get the whole series. Unfortunately All Systems Red is poorly cast and poorly performed. The reader for SecUnit is light, chipper, and going way too fast. SecUnit is anxious and depressed and it expresses that in sarcasm and dry humor. To convey that you need a slower pacing and emphasis for emotional weight. Also, the reader for SecUnit mispronounced a few words - was there no director? Was the director not paying attention? And Dr. Mensah is described as having very dark skin and being calm and mature but the reader for her sounds like a 20-something white woman. I returned the audio and Audible returned my credit so I have no complaints there. I'll listen to samples before I buy next time. Maybe the series will be re-done after the Apple+ show.
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- Joyce Melvin
- 09-30-23
Not sure about this interpretation
I was really looking forward to this when I first saw it. I'm a big fan of Murderbot, and I love to see how different creative groups interpret the source material. in other words, I am that person who will watch and probably enjoy every variation of a book/movie/play that i like.
For this production, I'm not sure how successful this interpretation was. the added sound effects provided a surprisingly interesting environment. I didn't notice the music at all, but then I never notice the music in movies. the voice actors did a fine job, though I had difficulty telling characters apart in group scenes. unfortunately, some of the characters sounded very wrong. one who is a very serious and down to earth political leader sounded flippant and immature. the inflections were off (way off) for most of the production. towards the end, it was sounding better and finally hitting the emotional marks. these are production and directoral issues and not the fault of the actors.
this was my first Graphics Audio purchase, and it could very well be my last.
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3 people found this helpful
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- BlindWanderer
- 10-20-23
I'm a fan
I'm a fan of the series and got this version with a coupon. I already have the other version.
The audio is technically fine, no glitches, chirps, or repeats. A well edited audiobook. The only problem is the chapter transitions. They are abrupt. Reading the chapter numbers makes the transitions smoother.
There are some voice acting problems. First, the narrator is too chipper. MB is not a chipper character, it's a sarcastic character. Conversely some of the other characters are a bit flat.
That said, these are only really noticeable if you've listened to both.
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- Amazon Customer
- 09-26-23
Maybe the printed version was better???
For it’s award pedigree this dramatized version makes the material seem to be the writing of a novice. Should I give the book a read ??
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2 people found this helpful
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- Damzlfly
- 11-08-23
Disappointing
I am a fan of the written novel and of the original audio production, but not of this version. The production quality of this dramatization is good, except for the pacing. I usually speed up playback of audiobooks a bit. This listen is the first time I've had to slow the playback, and dramatically at that. Otherwise, Murderbot's sarcastic humor is lost and it comes across as just weird. Murderbot's character comes across as cheerful in this production, and that's all kinds of wrong.
The other character voices present a fresh take on these characters, and I enjoyed them. However, Murderbot's dry sarcasm is the entire point of the novela, and I miss it. This is not a response to the voice of David Cui Cui, which is fine, but in this instance he did not nail the essence of Murderbot.
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- Rook Ruin Oberon
- 11-06-23
My 4th Copy!
This is my 4th copy of this book. I own a hardcover, a digital book, a regular audiobook, and now this full audio drama version. And I do not regret a single one. The story is epic and I relate to Murderbot so much! The performances and sound effects were a great enhancement to the way everything played out too! Now I just need the movie!
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- Amazon Customer
- 01-13-24
Should have considered the story’s legacy
The work (book—narrative) is so good that it deserves better than this. Another reviewer’s critique addressed speed of delivery and gender and age of key characters, and nailed the disparagement of what comes off as an amateur review performance. Dramatic presentation of the Murderbot Diaries is desirable! But this isn’t it.
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